Mackie CR 1604 acts as the FOH monitor mixer.
FOH is a 2-way stereo configuration, w/2 18" subs. Monitor mixes are sent from the aux section of the mixer (aux 1 2).
12 channels on the board are available for input from stage. Channels 14-16 are used for effect returns & talkback mic.
- Aux1 - hanging monitor wedge 1 (stage front) Mackie Thump TH-15a
- Aux2 - hanging monitor wedge 2 (side stage) Mackie Thump TH-15a
Rane 2 channel 15 band EQ in front of monitors
FOH signal processing:
- Alesis Microverb 4 Reverb/Delay (Aux 3, return at channel 14)
- Alese Midiverb Reverb/Delay (Aux 4, return at channel 15)
- Alesis 3630 Stereo Compressor
- Rane AC22 Stereo Crossover
System is powered by QSC RMX 850 (highs) and QSC USA 1300 (lows)
- 5 Shure SM58
- 1 Shure PG52
- 2 Shure PG56
3 DI boxes (Live Wire, Whirlwind)
We can provide more mics/DIs if necessary. Please inquire before the night of the show.
Stage dimensions: 12' deep, 10' wide, 10" high
There is a limited amount of storage space. You may end up storing empty cases in your vehicle. Equipment sharing may be required.
The live room, although quite small, sounds great. We rarely send anything other than vocals, kick drum any direct lines through the system.
Sound check: Due to space limitations, we provide a sound check to openers and line check other acts before their set. In rare cases we may check headliners.
For touring engineers: Persons operating Slim's equipment must be respectful of its limitations, and comply with the verbal input of the house engineer. Our house engineer may remove any visiting engineer if deemed necessary to protect our equipment. Bands will be billed for damaged equipment in the appropriate circumstances.
Bands are responsible for any damage but not limited to equipment including: microphones, stands, monitors, sound boards. Receipts for that night will be withheld from that night's settlement to cover the cost of any damage incurred.